Пианист, композитор, руководитель проекта «Транс-Атлантик»
Сергей Чипенко
Сергей Чипенко (род. 3 июля 1961, Стерлитамак) — пианист и композитор.
С детства занимался музыкой, окончил Российскую академию музыки имени Гнесиных.
В конце 1980-х годов создал собственный проект «Транс-Атлантик».
С 1992 года живёт и работает в Москве. С 1994 года — художественный руководитель музыкальной студии Московского театра «У Никитских ворот».
Выступал в концертных программах Башкирской государственной филармонии, сотрудничал с уфимскими музыкантами.
С 2012 года живёт и работает в Лос-Анджелесе (США).

Frontmatter, or preliminaries, is the first section of a book and is usually the smallest section in terms of the number of pages. Each page is counted, but no folio or page number is expressed or printed, on either display pages or blank pages.
Frontmatter, or preliminaries, is the first section of a book and is usually the smallest section in terms of the number of pages. Each page is counted, but no folio or page number is expressed or printed, on either display pages or blank pages.
Each page is counted, but no folio or page number is expressed or printed, on either display pages or blank pages.
Book design is the art of incorporating the content, style, format, design, and sequence of the various components of a book into a coherent whole. In the words of Jan Tschichold, "methods and rules upon which it is impossible to improve, have been developed over centuries."
Each page is counted, but no folio or page number is expressed or printed, on either display pages or blank pages.
Book design is the art of incorporating the content, style, format, design, and sequence of the various components of a book into a coherent whole. In the words of Jan Tschichold, "methods and rules upon which it is impossible to improve, have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied."
Book design is the art of incorporating the content, style, format, design, and sequence of the various components of a book into a coherent whole. In the words of Jan Tschichold, "methods and rules upon which it is impossible to improve, have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied."
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